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8 January 1836 – 25 June 1912. Most renowned painters.

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Caspar David Friedrich
Hills and Ploughed Fields near Dresden (mk10)

ID: 21881

Caspar David Friedrich Hills and Ploughed Fields near Dresden (mk10)
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Caspar David Friedrich Hills and Ploughed Fields near Dresden (mk10)


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Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.   Related Paintings of Caspar David Friedrich :. | The Lone Tree | On the Saiboat (mk10) | The evening | evening | Arctic Shipwreck |
Related Artists:
PARENZANO, Bernardino
Italian painter, Paduan school (b. ca. 1450, Parenzo, d. ca. 1500, Vicenza).
MAES, Nicolaes
Dutch Baroque Era Painter, 1634-1693.
Paul Berthon
A truly gifted illustrator and poster artist , French , 1872-1909 French designer and lithographer. He began his training in Villefranche, where he studied painting, and in 1893 he moved to Paris, entering the Ecole Normale d'Enseignement du Dessin. There he became a pupil and disciple of Eug?ne-Samuel Grasset, the Professor of Decorative Arts, and was also influenced by Luc Olivier Merson. Berthon's main output consisted of posters and decorative panels. However, he also produced bookbindings and furniture designs, both of which he exhibited at the Salon in 1895; designs for ceramics for Villeroy & Boch in the late 1890s; and a few designs for the covers of such magazines as L'Image (July 1897) and Poster (May 1899). His work is in an Art Nouveau style, and he adopted that movement's plant and figural motifs, especially the motif of the femme fatale, and also its long sinuous lines.






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